Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
Review by A_Dead_One
DWD...28 minutes. The number doesn't really matter. It was mostly straight up for the first half and I expected a Carini or Taste to come in and move things along. But then the wildest thing happened. Trey found something in the major-scales that he liked, and things just kind of went from there. It was a beautiful and ultimately extremely climatic performance....every note he pushed at the fans, they pushed back.
So, so far so good..and then Steam and Light go deep too...some new sounds, or at least new to me. Haunting and familiar at the same time. At this point I'm not sure what they have been doing in practice, or if this was just one of those all-cylinders clicking on new idea thing, but I was mesmerized. Farmhouse was necessary, and kudos to Trey for completely doing a true homage to No Woman No Cry there. Antelope, because why the hell not??
Monkey>The best 3-4 minutes in the world...all gravy.