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Review by n00b100
a) the resulting Piper is more powerful than the usual 3.0 versions, with Page in particular doing fine work, leading to
b) a surprising super cool Billy Preston-esque groove emerging out of the end of Piper, which suddenly and hilariously segues into a unique version of Halley's Comet, as neat as the Rochester Golden Age is, which puddles into gauzy funk noodlings and then, on Trey's call
c) segues perfectly into Wombat, and Wombat finally makes its long-awaited debut as a jam vehicle, dropping out of its usual wah-wahed zone into something darker and more contemplative, finding a blissful haze (thanks again to Page, who owned this show), and coasting beautifully along before Fish picks up the pace and the band gallops to a nifty Runaway Jim-like close, which leads to
d) a ferocious CDT and relaxing Slave bringing the set to a fine finish.
To me, this is as close as 2014 Phish will get to early-90s Phish (which, lest we forget, was not exactly bursting at the seams with 25 minute jams), mixing in their usual strong improv with loads of funkiness, surprising segues, and a palpable sense of fun. Make sure to catch that first set Reba and Stash/Coil duo, too. Highly recommended.